OBVIOUSBLOG

News & musings from Alyce Santoro (aka: Alyce B. Obvious), social surrealist, delicate empiricist, rhythmanalyst, philosoprovokateur. More at alycesantoro.com.

Saturday, June 24, 2023

›
  The following article was included in the inaugural issue of The Turnaround , published by Amy K. Bormet and Washington Women In Jazz, Spr...
Thursday, March 02, 2023

›
    For the past many weeks I have been working in earnest on Wayne Shorter’s classic tune Footprints . I have been listening to, watching, ...
Thursday, April 28, 2022

"All Blues - Chromatic Analysis" as part of Fragmentary Blue at the Tremaine Gallery

›
All Blues, a Chromatic Analysis. Gouache on 30" round birch panel. 2022 Fragmentary Blue , an exhibition containing works by 17 artis...
Monday, June 21, 2021

Tonal Relativity: Studies at the Center for New Music

›
Tonal Relativity: Studies in the Window Gallery at the Center for New Music in San Francisco, CA               For the month of April 2021, ...
Sunday, August 23, 2020

Radical Reimaginings

›
  Ascending in All Directions 1 (Starfish) and 2 (Octopus), Vintage paper, gouache, ink on birch panel, 12"x12"x.8", 2020 Ra...
Sunday, August 09, 2020

Avant-Garde as Dynamic Participatory Occasion

›
The following text is Chapter 6 of "An Intricate Ensemble: The Art-Science of an Ecological Imaginary" published in January 2020, ...
›
Home
View web version
Powered by Blogger.