OBVIOUSBLOG

News & musings from Alyce Santoro (aka: Alyce B. Obvious), social surrealist, delicate empiricist, rhythmanalyst, philosoprovokateur. More at alycesantoro.com.

Wednesday, June 24, 2020

Frederic Rzewski on the Political Use of Music 1968/2015

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The text below was included in a 1968 edition of SOURCE: Music of the Avant Garde magazine as part of an interview with composers about poli...
Monday, May 18, 2020

"Vexations" in the Era of COVID-19, On the Occassion of Erik Satie's 154th Birthday

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VIDEO: Satie's Vexations Arranged for C Flute and Alto Flute, Digitally Slowed 25% By defying the logic of social and musical convention...
Monday, April 13, 2020

An Anti-Virus

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An Anti-Virus (video) . Tracing paper, images cut from February and March 2020 copies of Sunday New York Times COVID-19 has quick...
Tuesday, March 24, 2020

Southern Pacific Suite: A Collection of Train-Inspired Sound Art by Alyce Santoro and Julian Mock

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A past project unearthed from our archive:   MOVEMENT #1: Prelude: Music for Train Whistles debuted at Southern/Pacific , Lawndale Art C...
Saturday, December 07, 2019

An Intricate Ensemble: the Art-Science of an Ecological Imaginary

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On Monday morning I will be defending my thesis for Rhode Island School of Design 's brand new MA program in Nature-Culture-Sustai...
Friday, March 15, 2019

The Notational Shift at MUSAC

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The Notational Shift exhibition opened at Spain's Museo de Arte Contemporáneo de Castilla y Léon on January 26, 2019 and runs ...
Wednesday, March 13, 2019

10000 Things - Mass Recognition - Vernal Equinox 2019

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Frottages , Providence River Oysters , 2019 In mid-February I received an invitation to participate in a project conce...
Monday, April 09, 2018

March for (Not Just Any) Science

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Earth From Space, collage, Alyce Santoro, 2017 When the public sector is at the service of the private sector, the economic inte...
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