OBVIOUSBLOG

News & musings from Alyce Santoro (aka: Alyce B. Obvious), social surrealist, delicate empiricist, rhythmanalyst, philosoprovokateur. More at alycesantoro.com.

Sunday, August 23, 2020

Radical Reimaginings

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  Ascending in All Directions 1 (Starfish) and 2 (Octopus), Vintage paper, gouache, ink on birch panel, 12"x12"x.8", 2020 Ra...
Sunday, August 09, 2020

Avant-Garde as Dynamic Participatory Occasion

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The following text is Chapter 6 of "An Intricate Ensemble: The Art-Science of an Ecological Imaginary" published in January 2020, ...
Wednesday, June 24, 2020

Frederic Rzewski on the Political Use of Music 1968/2015

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The text below was included in a 1968 edition of SOURCE: Music of the Avant Garde magazine as part of an interview with composers about poli...
Monday, May 18, 2020

"Vexations" in the Era of COVID-19, On the Occassion of Erik Satie's 154th Birthday

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VIDEO: Satie's Vexations Arranged for C Flute and Alto Flute, Digitally Slowed 25% By defying the logic of social and musical convention...
Monday, April 13, 2020

An Anti-Virus

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An Anti-Virus (video) . Tracing paper, images cut from February and March 2020 copies of Sunday New York Times COVID-19 has quick...
Tuesday, March 24, 2020

Southern Pacific Suite: A Collection of Train-Inspired Sound Art by Alyce Santoro and Julian Mock

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A past project unearthed from our archive:   MOVEMENT #1: Prelude: Music for Train Whistles debuted at Southern/Pacific , Lawndale Art C...
Saturday, December 07, 2019

An Intricate Ensemble: the Art-Science of an Ecological Imaginary

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On Monday morning I will be defending my thesis for Rhode Island School of Design 's brand new MA program in Nature-Culture-Sustai...
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