Monday, December 19, 2005

240 radio towers

i spent my birthday in 1994 at the art brut museum in lausanne, switzerland. at the time, i hardly considered myself an artist. i had just finished scientific illustration school and given up my job as a research assistant in marine biology to move to france with my new husband (an aside: though we're still great friends, jean-paul and i have since been divorced...three years ago exactly, today, in fact...). i always had this longing to make art about science, and felt that all i'd learned at risd had put me on the right track, but my work hadn't coalesced into something yet. anyway, there i was at this phenomenal museum of works by "untrained artists". i could hardly catch my breath. i took copious notes, and absorbed everything like a sponge. later i based much of the content of my little booklet "EVOLUTION OF AN ARTIST" on what i learned that day.

here it is over 12 years later, and i was coming in here this morning to post one of my latest drawings. i was going to preface the post by saying that these new drawings feel familiarly, comfortably obsessive, like when i used to do stipple renderings of skate egg cases with a rapidograph. only instead of little dots, i'm drawing radio towers. hundreds of them. then i remembered some drawings i saw at the musee d'art brut, and dug through my files to find a postcard of some work done in 1939 by eugene gabritschievsky. i remembered how moved i'd been by his astounding, tiny, repetitious drawings of creatures. then i googled him and found out that Gabritschevsky was a pretty well-known biologist and geneticist before he was institutionalized for schizophrenia, where he created over 5,000 drawings. In his bio (link above) it says that "Gabritschevsky feels that the unexpected and the haphazard in art as well as in science are the basis of knowledge."

wow. i couldn't agree more.

i did this drawing while i was in court waiting my turn to be tried for the stickercrime. it's on some fabulous "dupont explosives" graph paper given to me by a friend whose dad used to be an explosives engineer (that friend, a crazybrilliant "untrained artist" in his own right, disappeared eight years ago today on a tiny sailboat in the north atlantic).

Monday, December 05, 2005

upsidedown LIFE follow-up

just a quick little follow-up on the upsidedown LIFE incident...

the hearing was held yesterday morning at 100 center st, the manhattan criminal court. i was wearing an upsidedown LIFE t-shrit and had pics of the "crime scene" on hand for reference. i had a chance to describe the situation to the legal aid lawyer who was assigned to my case prior to going before the judge, and he immediately wanted to know about the meaning of the sticker (content really does seem to matter...which, to my mind, brings up freedom of speech issues, but that's a whole other issue...). he classified it as "non-specific philosophical humor", which i was satisfied with. once before the judge, i was charged with possession of a "graffiti implement", but in my research i discovered that graffiti implements are specifically defined as spray paint, wide-nibbed markers, and etching powder. the lawyer and the judge and the DA guys ("the people") argued back and forth a bit (not without smirking, i might add). things mentioned: it was my first offense, there were already other markings on the pole, i had already spent 7 hours in jail, the nature of my message was non-commercial and apolitical (sort of...). at first they were going to let me off with an ACD ("adjournment on contemplation of dismissal" case dropped and my prints destroyed if i manage not to get arrested again for 6 months to a year) and one day of community service, but the lawyer managed to eliminate the community service and get me out without even having to pay a court fee (i was actually kind of looking forward to seeing what they had in mind for community service...working an extra day at the soup kitchen? planting flowers in a park? or scraping off other people's stickers...that would have sucked...).

i never needed to mention it to the judge, but i found it rather good omen to have come across this stuck to a pole on my way to the courthouse.

now if only all the goddamn politicians would go arrest themselves...

Thursday, November 10, 2005


when i was a kid, sailing around narragansett bay with my folks, i dreamed of one day living in a place called the "ocean state". then i did, for 12 years.

damn, the coffee's good here.

i have a small piece included in liz keithline's LOST HOUSE/"ourchitecture" project, which opens this saturday november 12th from 5 to 7 at the newport art museum. i will be at the opening, and would love to see you there.

Tuesday, November 08, 2005

wooster collective

so flattered...the jail/upsidedown LIFE story got published here at

Saturday, November 05, 2005

night in jail/upsidedown LIFE story

Alyce’s Night in Jail/Upsidedown LIFE Story, Friday, November 4, 2005[1]

Last night was a glorious crystal clear autumn evening in New York City. I got off the F train bound from Brooklyn and wandered up First Avenue, past a few bustling bars, past the tiny DJ booth/storefront, past a multitude of pizzerias, taquerias, and laundromats, and past the row of Indian restaurants garishly decorated with multitudes of disco balls, chili pepper lights, and Christmas garland that I’d been frequenting since high school. One of the Indian markets had set up it’s wares on the sidewalk, and I stopped to admire tables stacked with bags of spices, teas, dried beans, candy-coated fennel seeds, and dried fruits. It made me happy to be a New Yorker, where I could stumble upon orange flower water, black sesame seeds, and homemade mango chutney on a street corner.

After a delightful meeting with some friends at a bar on Second Ave, I was meandering back to the train while keeping an eye out for appropriate spots to place a few of my upside down LIFE stickers. I’m always on the look-out for those little gems, spots that already have some renegade markings in spray-paint or stickers, where the blocky red upside down LIFE might serve to complement an already-evolving composition. That’s the addiction for me with graffiti…it’s like a musical improvisation, everyone playing off the notes that others add.

Sometimes you get to know a local player, and relationships form. For example, there’s someone who does a spray-paint stencil of Bush’s head with the circle-slash symbol around it, and whenever I spot one I almost always stick one of my DUMP W (upsidedown) stickers nearby. Here in Brooklyn, someone with a sticker the exact same size as my DUMP W ones, only with an ominous black background and a large white “W” with the words THE PRESIDENT underneath, has been consistently sticking their sticker OVER my sticker. It’s a thrill to know that there is a Bush supporter out there who not only GETS my humor, they’re actually taking the time to engage in the game with me.

In the case of the upside down LIFE, there’s one sticker in particular ­– a similarly-sized one with blue block letters on a white background that reads ALIFE – that I always try to get close to, without being sure of its meaning. A quick internet search revealed the following:

“Artificial Life is a field of scientific study that attempts to model living biological systems through complex algorithms. Scientists use these models to test and experiment with a multitude of factors on the behavior of the systems.

Artists at Fusebox see these algorithms as a starting point for a new artistic exploration where the interactivity is not only between the user and the computer program but within the computer system itself. We are just beginning to explore. Enjoy.”[2]

How intriguing!

So last night, strolling along, I spotted the ALIFE tag at the base of a light pole (at the southwest corner of 2nd Ave. and 3rd St.). I took a moment to contemplate placement, then struck. Just then I noticed what seemed to be an off-duty cab and three motley-looking cabbies eyeing me. One moved closer and said with an accusatory tone in the manner of one who is accustomed to dealing with unruly children, “What did you just do?” And I admitted cheerily, but not entirely without suspicion, that I had attached a sticker to the light pole. I handed him one of the remaining stickers in the interest of clarification. The man said, again, with more sternness than seemed necessary “What does it MEAN?” The goal of much of my work is to evoke this very response – I am hoping to draw people into discussions about the meaning and inspiration behind the pieces, many of which I have come to refer to as “philosoprops”. I replied, “It’s a take on the LIFE magazine logo. I usually place it where there’s already a patch of interesting graffiti where it can contribute to the composition somehow.” And the man said, as if I hadn’t revealed something that would make my true criminal nature clearer in his mind, “BUT WHY DID YOU PUT IT UPSIDE DOWN?”

By now of course I realized I was in some kind of trouble. But it seemed I was still ahead of the game…the officer was asking some excellent questions…the sticker was indeed working it’s magic as a “philosoprop”…and I guessed that before long the man would come to appreciate the concept, at least enough to let me off whatever hook I may be on.

Then the woman officer said, “We’re going to have to arrest you.” “For putting a sticker on a pole?!” I blurted back in disbelief. She replied, “That’s the law, and it’s our job to enforce it.” Then she took my purse, and handcuffed my hands behind my back. I was dumbfounded. I suggested that perhaps just making me pull the sticker off the pole and promise not to do it again would be sufficient punishment for a first offence, but they did not agree. They ducked me into the cab, which was not a cab at all, but a squad car. I sat in the back seat with the lady cop, while the more subdued of the two men sat in the passenger seat and took notes. What was my age? 37. Had I ever been arrested before? Nope, never even had a speeding ticket. Did I have any drug paraphernalia, weapons, or sharp objects on me? No…I assured them I was about the most innocuous offender they could possibly have hoped to capture.

They wanted to know more about my motives. Why was the sticker placed upside down? They passed around Polaroids of the crime scene. The were so perfect ­– the best philosoprops I could have hoped for. I wanted to hold them, but couldn’t due to the handcuffs. Before I realized how it might sound, I said, “I’ve never been handcuffed before.” The men chuckled awkwardly, then the one driving said, “I’m not gonna touch that one!” and the lady cop added, “Yeah, you better not.”

I explained that I was actually a pretty legitimate artist. They asked if I could prove it, and I offered them the address of my website. They seemed strangely impressed. The driver immediately called a friend from his cell phone and had him look up my website while we were driving. Sure enough, the guy could see a picture of his friend’s captive, along with pictures of her work, including images of sites where I’d wheat-pasted the larger (and potentially more physically destructive) upside down LIFE posters. Ironically, I’d started using the stickers because they were quicker and less conspicuous to deploy than the larger silkscreened posters.

“The upside down LIFE is just about how crazy things are in the world right now…everything’s a mess,” I said. And they agreed. They reminded me again that they don’t make the laws, they may not even agree with them, they just enforce them. They said that they’d just come out of a meeting with Mayor Bloomberg, and that one of his big campaign mottos is “A Clean City is a Safe City.” I grumbled.

We arrived at the precinct in Alphabet City, on Ave C and 8th St. They took me into the room with the cells. There was a sign on the wall saying, “Search your prisoner carefully!” They removed my belt and jacket. Nothing with cords or strings allowed. I could keep my shoes, since cowboy boots have no laces. I was also allowed to keep my book – “Mexican Spanish” – which served as a kind of lozenge – during the time I was incarcerated. I could make one call using my cell phone, so I called my roommate to let her know that I would be late getting home because I was in jail.

They shuffled a group of men out of one of the cells and into another, uncuffed my hands, led me in and shut the door behind me. I was locked in. Locked into a concrete and metal room behind bars. For putting a sticker on a pole. I was acutely aware of the absurdity of the situation. Fortunately, it was under circumstances that were more amusing than horrifying. But I suddenly had an acute new awareness of the fine line between the two. The fact remained that I had been jailed for virtually no reason. What about others wrongly accused of much more serious crimes, others much less socially privileged than myself? What about people from other countries who don’t get to make their one phone call, who are locked away without hope of a fair trial or even humane treatment? I stared at my book, attempting to study Spanish vocabulary between thoughts. How would I have been feeling without the refuge of my book? Would I have been able to quiet my mind, to remain calm with absolutely nothing as a comfort or distraction? 

I was removed from the cell for fingerprinting. I put my palms on a scanner. The officer (the one who’d been driving and was wearing a sweatshirt that said “DANGER: EXPLOSIVE: KEEP BACK 500 FEET”) rolled each of my fingers across the glass as I watched my prints come up on the screen. Then he took my mug shots with a digital camera. It was all I could do not to burst out laughing. Mug shots! I was returned to my cell, and assured that they’d try to expedite my case as quickly as possible. I thanked the man, who seemed to have warmed up considerably, and went back to my book.

The lady cop came and asked me if I wanted a soda. I said no thanks, but I’d love some water. She went off to the vending machine and came back apologizing that they were out of bottled water. She said she didn’t want me drinking the tap water because it might make me sick. She assured me that I’d be out within an hour, and offered me a piece of gum.

Then some other officers brought in a young woman, maybe 19 or 20, apparently strung out on something or other, crying hysterically. My cops came over and advised me just to ignore her. The girl came in and sat on the other end of the single wooden bench, leaning her head against the concrete, sobbing. After a few minutes I asked her what she was in for. She said trespassing, that she’d been squatting and had gotten caught on the roof of the building trying to escape. She asked me what landed me in jail, and I said graffiti. She asked me what kind, and I explained. She said that she'd been making a political statement by squatting, and that she was an anarchist. I had the impression that this was not my cellmate’s first arrest. With exposed pink satin thong underwear, she climbed the bars, yelling, rudely demanding that our captors bring her a cigarette. After awhile one appeared, and we shared it. She fell soundly asleep with the cigarette still burning between her fingers.

An hour and a half went by, and the officers fumbled with paperwork and chatted about cat food at a table not far from my chamber. Once in awhile Mr. Explosive would turn to me and say, “Just a few more minutes!” or his cell phone would ring and it would be his buddy on the internet with more questions about my work. They’d discovered the fabric I weave from cassette tape, and wanted to know more about my connections with the band Phish.

The woman cop and Mr. E. went to go check the computer to see if my prints had come back from the main office in Albany. That left only the quiet cop with the Yankees sweatshirt to keep an eye on me. I asked him about the water situation, and again I was advised against drinking the tap water, and reassured it wouldn’t be long before I’d be out. I asked him if he’d been doing this job long, and he said 12 years. I told him it felt strange being locked up, but that I felt pretty confident, being in the United States and in New York City in particular, that nothing too terrible was going to happen to me. I told him that I trusted completely, for example, that if I really needed water that someone would bring me some, and how ironic it was that the reason I had none was because they were trying to find me the bottled kind. He told me that he’d been in the military for 8 years before becoming a cop, and how during that time he developed an appreciation for the things we take for granted in this country, like clean tap water and electricity. We agreed that Americans, as a whole, are pretty spoiled. I told him I’d always wondered what it was like to be in prison, and he offered that, although I was the one behind the bars, that he couldn’t exactly leave his post either, and in fact was serving his second 12-hour shift in a row. He said he never expected to be a cop, it just happened because he needed to pay the bills. He said he doesn’t even agree with a lot of the laws he enforces…he’s just doing his job. I suppressed the urge to ask what he would do if he felt he had a choice.

And I thought to myself, this experience is becoming oddly reminiscent of a scene from Beckett or Sartre. Suddenly this poor man is the prisoner, and I am as free as a bird.

I’d been brought in at a little after 9pm, and now it was after 2am. I’d been studying Spanish during pauses in the conversation. Mr. E. was getting increasingly apologetic about the amount of time it was taking to free me – the computers in Albany were down. I assured him that I was fine, just a little thirsty. It would be no more than another half an hour. Prisoners came and went in the cell next to me, but I couldn’t see them, though I could hear them. One had been yelling for quite some time that he needed to go to the hospital. Others were singing. Another man was being asked by an officer if he was a US citizen. He said no, but that he was a legal resident. The officer asked him where he was from, and he said Bangladesh. The officer said, “Where’s that?” The man explained very patiently and politely in a voice completely devoid of foreign accent, adding that he’s lived in New York for over 10 years. The officer replied, “Well, it looks like you’ll be going for a ride then.” The man said, “Sir? What do you mean by that, Sir?” And the officer said, “We’ll be shipping you back.” And then there was silence.

I stared at my book and thought about what was going on all around me. My cellmate would be staying all night, since she’d been picked up without ID. I would be getting my paperwork from Albany, and would have to appear in court on December the fifth. My officers assured me that I’d be let off on “time already served”, as long as I showed up in court. Otherwise, there would be a warrant out for my arrest. My contact lenses were dry. I was thirsty. I’d been locked up for 6 hours. What about diabetics who find themselves suddenly in jail without insulin, or people who have children or pets, or those who have to be at work on time? What about people in other countries, travelers, people far away from home? What happens to prisoners in an earthquake or other natural disaster? I’d put some LIFE posters up in Mexico over the summer. One day I traveled across the border from Texas by myself, and no one even knew I was there. I had no knowledge of Mexico’s graffiti laws. What would have happened if I’d been arrested there?

I asked once again for water. The man with the Yankees sweatshirt said, “Really, Alyce, it will just be a few more minutes now…please…stop reading…just rest.” I shut my eyes and leaned back against the concrete.

It was 3:30am when he came with the key to let me out. The lady cop had gone home, but the two men brought me out into the precinct where there were lots of other officers milling around. The Yankees guy handed me the paperwork and stood close by, flipping the pages and pointing out where to sign. Mr. E. reminded me several times not to forget to show up for my court date. I thanked them as I walked away, and smiled and waved as I pushed my way through the revolving door out onto Avenue C.

I felt strange. Woman alone, ejected onto desolate unfamiliar city street in sketchy part of town at nearly 4 in the morning. Thank goodness the police are around keeping things clean and safe. I walked toward a cluster of bars, figuring the odds of getting a cab there would be greater than they’d be directly outside the jail. A cab came, and I hopped in. The driver and I talked about how magical the city looks in the middle of the night, and about how easy it is to get around without any traffic. I couldn’t identify his accent. It wasn’t until we were around the corner from my house that he asked me what I’d been doing in that part of town at 4am. I told him I’d been arrested for graffiti, and explained a little about the stickers. I wish I could recall the witty quip he made while the machine tallied up the fee for the ride. $15. I handed him a $20 and told him to keep the change. He handed me back a $5 and said, “No way, you’ve been through enough tonight…I wish I could do more”. I tried to give it back and he pushed my hand away. I told him I would have liked to give him some stickers, but my supply had been confiscated. We laughed, and said goodnight.

I unlocked the door to my apartment at a little after 4am. I took a shower and put on the teakettle. I stood at the counter waiting for the water to boil, laughing out loud as I imagined the next morning, explaining to my parents that I’d spent the night in jail. My poor parents have been through so much with me, their only child, always off on some crazy adventure, or misadventure, as the case may be. Thirty seven years old, in jail for putting a sticker on a pole.

I drifted off to sleep in my own room, in a bed with a pillow and covers.


As I walked from the subway station toward Manhattan Criminal Court at 100 Centre Street, I considered my defense. In my research I’d discovered that only three items are considered true “graffiti implements”: etching powder, spray paint, and wide-nibbed permanent markers. In no way are stickers considered contraband. Wearing an upsidedown LIFE t-shirt and with photos of the crime scene in hand for reference (I’d gone back to the site the day after the incident to take them), I planned to provide the judge with a monologue on the nature of my action – I would explain that I am a conceptual artist and that the upsidedown LIFE project happened to be about how topsy-turvy things had become in the world. Turning things around - making things right – would require a mental shift. Just then I happened to pass under a metal scaffold. Stuck to one of the uprights was a small square “Mike Bloomberg for NYC” campaign sticker. I recalled from my research into the rules regarding publicly posted propaganda that campaign paraphernalia is only permitted to remain on display for a brief period after November 8th. I was pretty certain the mayor was in violation of his own law. In my mind, my defense strategy was changing.

I sat in the courtroom with a hundred other petty offenders. When my name was close to being called, I was assigned a public defender. He led me outside and asked me to explain my case. I began to tell the story, and he stopped me immediately wanting to know what does the sticker mean? I was amazed – content and intention really seemed to make a difference.

The lawyer planned to try to get me off on time served. I was both disappointed and relieved when he suggested that I not do any of the talking.

When my name was called, I followed him up to the bench. I stood behind him while he explained that my sticker consisted of “non-specific philosophical humor”, which I, of course, appreciated. The judge tried to charge me with possession of a graffiti implement, and the defender countered him. The lawyer, the judge, and the DA guys ("The People") argued back and forth (not without smirking) about it being a first offense, that there were prior markings on the pole, and that I had already spent an entire night in jail. It also seemed important that the nature of my message was non-commercial and basically apolitical. At first they were going to sentence me to one day of community service (typically consisting of erasing other peoples’ graffiti) and give me an ACD ("adjournment on contemplation of dismissal"...the case dropped and fingerprints destroyed if I managed not to get arrested again for 6 months to a year) but the lawyer was able to convince the judge to eliminate the community service on the basis of time served. I was on ACD, but was freed with no other fines or punishments.

ADDENDUM #2: September 2009

I was careful not to deface any public property in New York City for the full year. I moved to far west Texas in 2006 (where I enjoy committing occasional acts of “non-specific philosophical humor”), and as far as I know, my criminal records have been destroyed.

[1]  Edited slightly from original by author. Alyce Santoro, Wooster Collective, 4 November 2005.

alyce santoro, november 4, 2005

Tuesday, September 27, 2005


there's something about fall that feels like home to me. i think it's because i grew up in the woods, in a log cabin, and fall had a certain powerful sensory richness to it...the sweet smell of ripeness and earth, the glow of infinite shades of reds and yellows and oranges, the warmth of a fire in the fireplace.

there's a cozy little town near where i grew up, and 'round this time of the year they hold an annual harvest fair. there's apple picking and goat-cheese tasting and cider and doughnuts. and pumpkins. and robert grawi, the inventor of the gravikord, is always there, playing one of his magical instruments, doing duets with his flute-playing wife.

9/29 sonic fabric talk at parson's

this thursday evening, september 29th, i'll be giving a little talk and demonstration of sonic fabric for a group called "21F", a bunch of folks who are interested in the intersection of fashion and technology. more info on them here . Parson's School of Design, Design Lab, 7pm, 55 west 13th st, 9th floor.

Monday, September 05, 2005


lately i have been compulsively knitting. there's something so soothing about it, meditative, about the tying of little knots, each one containing the essence of the precise moment during which it was tied. the wool might take on the smell of campfire or coffee or bread baking or the subway depending on where i am and what's going on around me when i'm doing it. and the energy of my thoughts, my feelings for the one i am knitting for, like little prayers tied into every knot. "may the one who wears this feel loved and protected and warm". and the things i am knitting now are also imbued with anger and sorrow for the ones who are suffering and towards the society that let it come to this. sure i blame the government for not sending more help sooner, but i blame them more because their ambivalence and lack of compassion sets a terrible example for our culture. i don't believe that it's only the government's job to take care of everyone...i believe it's everyone's job to take care of everyone, and that a good government should be like a good parent, teaching by example, encouraging those who have more than they need to share with those less fortunate. it's not only the poor people who need better education. it's the people with wealth who seem not to understand the toll they are taking on our entire culture, the instability they are causing to the infrastructure of this thing we call a "democracy", by not giving something back. in a democracy we can't only blame the government...we must blame ourselves when there are rifts this profound. may this experience inspire each of us to take action in whatever way we can...that is the mission, after all, of the kind of political system we aspire to here in the united states. i blame the government for teaching selfishness and greed (and for their atrocious, horrific handling of this tragedy in particular). i blame it's people for not rising above it.

Monday, August 29, 2005

lecture 8/29 at the new school

tonight i'll be the guest speaker at an event at the new school for incoming students. my talk is entitled "the art of science, the science of art", and i'm extremely grateful, and kind of astounded really, that this is happening. after the talk there will be a panel discussion...two other artists, a geneticist, and myself. i met with the panelists last week, and the four of us had one of those conversations, like a good jam session, where you can feel the synapses firing and watch the sparks flying. i was using pieces of my work as examples and points of reference...and realized suddenly that the "philosoprops" had found their niche. this is exactly how they are meant to be seen. and this very talk, about the intersection of art and science, is exactly what my work is all about.

"the art of science, the science of art"
tishman auditorium of the new school
monday august 29th
66 west 12th st from 5 to 7pm.

Saturday, August 13, 2005

lincoln center

when i was 10 i picked up the flute. there was always classical music playing around my house, and i feel like it definitely had a profound influence on my synaptic firings. later on i took classical flute lessons. at some point i remember seeing jean-pierre rampal at avery fisher hall in lincoln center, and imagined myself on stage, a virtuoso soloist. well, it was not to be. instead, soon after, i put an electric pick-up in my flute (inspired by laurie anderson's tape bow violin) and joined a punk band. now i make sound art, and invent things, and sure enough, i have a gig at lincoln center! well, not in a concert hall...outside, in front of avery fisher hall, as part of lincoln center out-of-doors "homemade musical instrument day". please stop by if you can, from 2 to 6 on sunday august 14th. more info here.